The newest chapter in Hermann Lederle's long-established practice comes in the form 'SCAPES' - paint-scapes versus landscapes
THE SALON
'Into The Wood' painting, pictured at center, was created by cutting the original paintings on canvas into stripes and assembling the cut pieces onto a new canvas. This process allows for the painterly strokes to be sliced and offset to create a unique appearance of abstraction.
BLURRING THE BOUNDARIES
between the paint and its intended object
'INTO THE WILD', oil on canvas, 3 panels, 60 by 120 inches (152x305cm), 2020
NO LIMITS
The 'END OF SUMMER' painting. The stripes of linen canvas have been assembled onto the two canvas panels and reveal its intended effect. A sort of pixelated impressionism.
THE WORKS
INTO THE LAKE
oil on canvas, 3 panels, 60 by 120 inches (152x305cm), 2020
NOT AVAILABLE
oil on canvas, 3 panels, 60 by 120 inches (152x305cm), 2020
NOT AVAILABLE
END OF SUMMER
oil on linen stripes over canvas, 2 panels, 60 by 96 inches (152x244cm), 2020
INTO THE WOOD - OUT OF THE WOOD
oil/acrylic on canvas stripes over canvas, 2 panels, 40 by 60 inches each, 2020
oil/acrylic on canvas stripes over canvas, 2 panels, 40 by 60 inches each, 2020
INTO THE WOOD
oil/acrylic on canvas stripes over canvas, 40 by 60 inches (102x152cm), 2020
NOT AVAILABLE
OUT OF THE WOOD
oil/acrylic on canvas stripes over canvas, 40 by 60 inches (102x152cm), 2020
NOT AVAILABLE
SERENADING OILS
oil/acrylic on canvas, 3 panels, 60 by 108 inches (152x274cm), 2020
Updated JUNE 2020
oil/acrylic on canvas, 3 panels, 60 by 108 inches (152x274cm), 2020
Updated JUNE 2020
WORKS 2020. CODA
INTO THE UNTAMED
oil and gold leaf on canvas, 38 by 50 inches (96x127cm), 2020
INTO THE ROUGH
oil and gold leaf on canvas, 38 by 50 inches (96x127cm), 2020
oil and gold leaf on canvas, 38 by 50 inches (96x127cm), 2020
INTO THE HILLS
oil and gold leaf on canvas, 38 by 50 inches (96x127cm), 2020
NOT AVAILABLE
oil and gold leaf on canvas, 38 by 50 inches (96x127cm), 2020
NOT AVAILABLE
'INTO THE HILLS' by Lederle is a work that calls for an expression of pure color, abstract form, and the seductive materiality of paint. We are witness to the process of incremental breakthroughs that expand the language of abstraction.
The shapes and strokes do not refer to what’s seen in nature, but rather the paint is the subject.
The shapes and strokes do not refer to what’s seen in nature, but rather the paint is the subject.
THE PROCESS OBSERVED
FACTORY ART STUDIO
